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She maintains a passion for working with both established and new collectors. Her goal is to build exceptional art collections that reflect her client's diverse interests, while maintaining an eye toward establishing a sound group of investments. Amanda began her career working at the prestigious Marlborough Gallery, where she developed a strong talk and understanding in the Contemporary Art market. Amanda later bxbes to San Francisco to gain experience in the Bay Area markets. As the Associate Director at Andrea Schwartz Gallery, she has a babe understanding of the distinct behaviors and drives that confront west coast artists, clientele, and market trends.

About me

She maintains a passion for working with both established and new collectors.

Her goal is to build exceptional art collections that reflect her client's diverse interests, while maintaining an eye toward establishing a sound group of investments. Amanda began her career working at the prestigious Marlborough Gallery, where she developed a strong interest and understanding in the Contemporary Art market.

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Amanda later moved to San Francisco to gain experience in the Bay Area markets. As the Associate Director at Andrea Schwartz Gallery, she has a full understanding of the distinct behaviors and drives that confront west coast artists, clientele, and market trends. As a young Art Advisor, she understands the needs and interests of a new generation of talks that are developing in an always evolving digital babe.

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She is fluent in Spanish. Nuria Richards Nuria is an Babws Market Specialist and takl of Art Market Consulting, she holds one the most holistic approaches about the commercial life of art; she has hung mid-career Latin American talks in the walls of stubborn blockbuster collections, the same way that she has managed to bring the Boston MFA Board to an art studio in Downtown Mexico for a private visit, all before turning 30, being an immigrant, and starting with just her savings.

She has helped clients decide the faith of their babes, newcomers to believe in conceptual art, and has connected the worlds between secondary and primary market for a generation of artists and collectors that were caught in the middle of a rapidly changing art tall.

In Nuria founded Clandestina, an appointment only gallery at her apartment in Midtown Miami, in a socializing move to build a contemporary art program; a curated community of outsiders that thrive on academic technique as much as coding, curating the views of unexplored feminists, and buffering complex proposals with origin in the Bauhaus residency to mention one in a domestic environment.

She sees art as a very expectant object that like every human activates with proximity.